Oreo Gets Into the Trend of Adult Coloring With Holiday Packaging You Can Draw On

November 09, 2015

Adweek, by Tim Nudd

If you weren't aware, coloring books for adults are enjoying a bit of a renaissance—as they offer a playful framework for both creativity and anxiety/stress reduction. And brands, of course, are picking up on the trend.

Last week, we looked at Barnes & Noble's plan to have a giant coloring session in its stores this coming Saturday. And now, Oreo is getting into the action with colorable packaging for the holidays—its inaugural foray into the e-commerce direct-to-consumer space.

Starting in mid-November, the "Wonderfilled" Mondelez brand will be offering "Colorfilled" Oreo packs for sale at a new Oreo site, shop.oreo.com. The packs will feature exclusive illustrated designs from artists Jeremyville and Timothy Goodman. You just color them in digitally—using a palette of colors as well as some bits of "seasonal flair." When you're done, the packs will be shipped to you. (They will cost $15 each.)

If you're more of a traditional kind of colorer, you can also buy blank packs that come with markers so you can physically color them in at home. Other items for sale will include T-shirts featuring the artists' designs with fabric markers for coloring.

The "Colorfilled" campaign is for the holidays only. The Martin Agency and Maya Design were among the agencies that worked on the campaign.

Continue to Adweek.

Posted By: The Martin Agency

"Unskippable" Wins Shots Online Film of the Year

November 06, 2015

shots Awards Winners 2015: The Work

Published on 6th November 2015

GEICO's "Unskippable" work took home the Gold in Online Film of the Year at last night's Shots Awards ceremony in London. Winners were initially nominated by the shots editorial team before going on to be judged by a professional panel of industry experts from the global advertising community.

The Online Film of the Year category was judged by a panel of six: Murray Butler (Framestore New York), Falk Florian Eumann (Caviar Digital), Ben Liam Jones (Mustard London), PJ Pereira (Pereira & O'Dell San Francisco), Rob Pierre (Jellyfish Agency London), and Nick Turner (Razorfish).

The Silver Award went to Honda for their "The Other Side" work (W+K London), and Bronze to Harvey Nichols for "Freebies" (adam&eveDDB London).

Judge Rob Pierre commented on the innovative execution of the GEICO pre-roll -- "Great, humorous video. I felt compelled to watch it to the end. Overcomes the challenge related to skip-able ads brilliantly."

We couldn't agree more.

Posted By: The Martin Agency

Craig Robinson Reworks Christmas Songs for Walmart Shoppers in Holiday Spots

November 06, 2015

Editor's Pick: Creativity, By Alexandra Jardine.

Comedian Craig Robinson entertains Walmart shoppers with some new versions of classic Christmas songs in the retailer's holiday campaign. The first two ads communicate a money-off offer when you open a Walmart credit card, as well as Walmart's shopping app, with Robinson explaining how Walmart can help to the tune of "God Rest Ye Merry Gentlemen" and "Have Yourself a Merry Little Christmas." There are more to come, and we look forward to seeing which other tunes he has up his sleeve.

The ads are by The Martin Agency and are directed by Brian Aldrich at Furlined.

Continue to Creativity to see the work.

Posted By: The Martin Agency

The Untold Story of This Bald, Toothless Baby and Her Adorable 1993 Print Ad

November 05, 2015

Adweek, By Tim Nudd

If you were the baby girl in the 1993 print ad below—by The Martin Agency for Healthtex baby clothes—you might have had reason to be a little miffed. You just got called bald and toothless in the headline, and the copy dwelled insistently—almost insultingly!—on whether you were, in fact, not a girl but a boy. An auspicious start to a modeling career, this wasn't.

Or was it?

Sage Coy rolled with it, in any case (whether or not she could actually roll over at such an age). And she and her family have nothing but fond memories of the experience—as evidenced by the fact that Sage's father, Bill Coy, recently contacted The Martin Agency, 22 years later, to reminisce about it.

"An advertising friend sent me the ad recently and said it had won some award years ago. So, I Googled the ad, and The Martin Agency came up," he tells AdFreak. "I saw that they had an office in New York City, and Sage was playing cello there, on tour with the Portland Cello Project. And I thought the man who did the ad might like to come and see her."

That man was none other than Joe Alexander. In 1993, he was a copywriter in just his third year at the Richmond, Va., shop. He has since risen, of course, to become the decorated agency's chief creative officer.

He remembers the campaign well.

"At the time, nobody was writing long copy about baby clothes," he says. "The category was all about showing cute kids with some fluffy headline. We knew that parents, and especially moms, love to read everything when they are pregnant. They can't get enough information. So my partner, Jelly Helm, and I just embraced it and tried to find truths every parent could relate to. I think we ended up writing 30 ads in this campaign over five years or so.

"We had this great insight overall for the campaign—the first baby clothes for parents. Meaning, Heathtex was the rare brand of baby clothes in 1993 that made it really easy to dress your baby: snaps, elastic waistbands, washable fabrics, big neck openings and really cute stuff. I was personally in the throes of having 6-, 3- and 1-year-old girls, so I was writing from a strong, truthful POV. The funny thing is: I always thought Sage was a boy."

She wasn't, but that was the point of the ad—to reassure parents that Healthtex would help their boys look like boys, and girls look like girls. (This was long before anyone looked down on gender labeling.) "That's why we always make it easy," Alexander's copy explained, "for your infant to look the only way he or she is supposed to look: cute."

Alexander says Sage was chosen as the model simply because "she was bald and she was amazingly photogenic." But Bill Coy admits that the modeling agency that the family had been working with did have specific orders—to find a girl who looked like a boy.

"The Wehmann Agency in Minneapolis called and asked if Sage was still bald. Yes, she was!" Bill recalls. "But as new parents of a little girl who had to tape a bow on her head because people loved our 'little boy,' we were a bit put off. Then they said it was just what they were looking for. So, game on!"

Sage's mom, Andrien Thomas—a former model herself—took Sage to the shoot and says everything went swimmingly. Funnily enough, Sage actually wasn't toothless at the time. She had a front tooth, which made for an adorable smirk—but that would have sunk the headline, so a different shot was used.

And what a memorable ad it became.

"Everybody thinks their children are cute, but when we saw her in print, she almost didn't look real," Bill says. "It was both pages inside the cover of Parents magazine and started what we think was a very successful little modeling career."

Indeed, Sage would go on to appear in a slew of ads and other projects. She did print work for brands like Target, Kohler and Kohl's. Her first commercial was for the "Virginia Is for Families" campaign. (Her big line was, "Are we there yet?") She also appeared in the 2005 film North Country, sharing scenes with Charlize Theron and Woody Harrelson.

Her biggest advertising moment was a brief appearance on the grandest stage of all—the Super Bowl—in one of the most beloved ads ever to air on the game. She's the farm girl sitting on the pile of hay at the 0:17 mark of Mullen's 1999 Monster.com spot. Her speaking line doubles as the name of the ad: "When I grow up…"

Now in her 20s, Sage is a musician. She has been touring with the Portland Cello Project, a collective of cello players in Portland, Ore. But seeing her old Healthtex ad today brings her right back to that whole other life.

"I would have to say it's a cute ad. Look at those big baby cheeks!" she says. "I'm definitely hit by a wave of nostalgia when I see this now—it's been quite a while since I did any acting or commercial work. It reminds me of a really unique time in my life, as this ad opened the door for all of the print work and acting that I had the opportunity to do growing up.

"I'm also reminded of how lovely my parents are," she adds. "They have always been very supportive of my interests, challenged me, but never pushed me to be involved in projects that I didn't want to be a part of. That's incredibly important, especially since I crawled into the industry at such a young age."

The ad brings Joe Alexander back, too. In fact, he included it in The Martin Agency's just-released coffee-table book celebrating its 50th anniversary and all the great advertising it's done in that time.

"I've always felt this ad was one of the iconic ads in our history," he says. "The headline and Sage's look—I mean, you can never lose with a cute baby, right? It's amazing to see how Sage has grown into such a cool person. That just adds to the iconic status of the ad, for me."

He adds: "Thanks, Bill, for reaching out. And Sage, I'm sorry I called you bald and toothless and took advantage of you just to sell some onesies. I'm glad it didn't hold you back."

Continue to Adweek.

Posted By: The Martin Agency

Why Some Ad Campaigns Keep Doing Great Work, Year After Year, Campaign After Campaign

October 23, 2015

October 15, 2015 | Michael Lee

Why Some Ad Campaigns Keep Doing Great Work, Year After Year, Campaign After Campaign

While the vast majority of advertisers in the country, bounce erratically from campaign to campaign, strategy to strategy, agency to agency, a few advertisers appear to have cracked some sort of code.

A code that helps them to keep coming up with great campaigns, year after year, selling a product, building a brand, engaging an audience, and yes…winning awards.

Advertisers like GEICO, Apple and Nike, spring to mind for consistent quality work over the years and Old Spice and Direct TV more recently are building a fine body of work (I’m sure there’s a number of others).

So, what’s the secret?….Is it simply the sign of a great agency? A great client? A great working relationship? Just simple common sense?

GEICO is the best example of this to me.

For years we have been hearing the ‘15 minutes can save you 15%’ message delivered by geckos and cavemen, from a screaming Little Richard to humpday camels, from squealing piglets to a shuffling Ickey all the way to the ingenious Unskippable work, GEICO have been getting it right year after year, campaign after campaign.

Oddly enough, the GEICO product is not particularly sexy. It’s not a stylish pair of running shoes or a gorgeous new piece of technology. It’s good old-fashioned car insurance. And definitely not the first place to look for consistently outstanding advertising.

I spoke with Steve Bassett and Wade Alger of The Martin Agency in Richmond VA, the Creative Directors of the GEICO account to try and get some pointers.

They opened with a simple couple of facts: The Martin Agency and GEICO have been partnered for 21 years. Steve has been running Geico since 2000 and Wade since 2009, and Ted Ward the CMO of GEICO has been there since day one.

Pointer one. Simple personnel consistency. A group of people on the business, both on the agency and client side who know the brand, it’s needs, it’s ambitions, strengths and weaknesses. Makes sense to me.

And then there’s consistency with the message. Steve and Wade added “The 15/15 message has been with us since the beginning and the teams keep finding ways to re-invent the savings messages. It’s quite remarkable to have something stay around that long and still have fresh ideas. That’s a testament to a great brief.”

So. Pointer two: keep the message simple, memorable and consistent. The GEICO way is not about keeping your audience interested in your brand by coming up with a bunch of fresh messages. It’s about delivering a consistent message in a fresh and engaging way (How many brands would benefit from following that advice).

How about the way GEICO works with The Martin Agency? Is there anything in how they work together? Steve and Wade give a little insight into that, “As to how we work together, it really is a round table where everyone has a voice, as trite as that may sound it really is true.”

And it’s a direct response business. Historically the idea of DR advertising has met with frowns from people like Steve and Ward “Our job is to generate inquiries for GEICO,” they explained. “To get people to call or click so by definition it’s direct response, however when you look at the body of work it really is feels different than most DR advertising.”

So, how do you structure the team on an account like this? “Our creative is structured as one large pool of writers, art directors, designers, producers and technologist. We’re strategically selective as to which resources will be needed depending on the nature of the project. And we always like to mix it up to keep the work fresh and current.”

After years of successful campaigns one of the obvious questions is how do you decide what campaign to produce next? Focus groups? Calculated hunches? Evidently it’s none of that. It’s much more simple, “Ted Ward does,” says Steve, “The decision to run a campaign resides with GEICO, and Ted hasn’t missed with one in the 21 years we’ve been working with him.” (Ted, we’ve never met, but congrats on all you’ve done with the GEICO brand. Let me know when you’re offering the master class, I’ll be there in a flash)

So it sounds like you’ve built up a pretty special relationship with GEICO? “Yes, and to be honest it’s more of just a great relationship in general. Work just happens to be one aspect of it all”. Wade and Steve responded, adding “After 21 years we still like hanging out with them and they still like hanging with us, so perhaps special isn’t a strong enough word.”

Maybe that’s it. As simple as ‘we like hanging out together.’

Makes sense to me. For all the data analysis, research, focus groups, presentation decks, insights, performance reviews, conference calls, and Venn diagrams, it’s probably what’s most important. And maybe the one question every agency and client should ask themselves. Every 21 years or so.

Posted By: The Martin Agency

After 80 Years With One Ad Shop, Land O' Lakes Hires The Martin Agency

October 13, 2015

Adweek, By Patrick Coffee

Two months after announcing its creative review, Land O' Lakes Inc. has picked The Martin Agency as the agency of record for its dairy brands including Land O' Lakes butter and Kozy Shack puddings. This move comes after the account spent an incredible 80 years with Minneapolis agency Mithun (which, along with Martin, is owned by IPG).

Mithun was one of six agencies participating in the review, and three candidates competed in the final round. Moving forward, the Richmond, Va.-based Martin will handle communications planning and creative development in addition to all media-planning and -buying duties for the business.

Like so many agency reviews, this one followed the client's appointment of a new CMO. Land O' Lakes marketing chief Tim Scott served as international CEO of mcgarrybowen and president of the Dentsu-owned shop's Chicago office before leaving the agency world to go client-side in April. He and his management team helped run the three-month review along with outside consultancy SelectResources International.

Regarding the decision, Scott said, "We're delighted to begin work with The Martin Agency. From their speed in learning our business to their translation of strategy into impressive initial creative thoughts to their chemistry with our team, it's already a strong partnership."

Land O' Lakes remains America's most popular butter brand, but its parent company is not a particularly big spender—Kantar Media reports that Land O' Lakes Inc. reduced its measured media outlay from $20 million in 2013 to $8.1 million in 2014. Still, Martin Agency CEO Matt Williams told Adweek that the new account will allow his agency to do what it does best: "To take brands that people know really well and inject them with a new sense of energy and momentum." He noted that "Land O'Lakes is a household name and a company with big ambitions," adding, "everyone has it in their fridge."

Does this mean a new TV-centric marketing push for the client? "It's a little early to know the specific media mix," Williams said, "but one of the things we are most excited about is the opportunity to capture the essence of the brand and bring it to life across lots of different media from digital and social to mass media and internal communications."

Land O' Lakes is also keen to raise its profile among Hispanic consumers. Martin worked with fellow IPG shop Casanova Pendrill on the review, and Williams said, "We partnered with Casanova from the beginning so that our ideas would do well in both the general and Hispanic markets. We're really excited about what's to come."

The first new work on this account will launch in 2016.

Continue to Adweek.

Posted By: The Martin Agency